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Karen & the Sorrows Brooklyn, New York
“Like Gram Parsons, Pittelman peels away the superficiality that much of country music has embraced and looks deep into its soul, its history, and its stories and makes it all her own.”—No Depression
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Outside Child
by Allison Russell
supported by 18 fans who also own “Far Away”
this just describes how much i love being in Montreal. Allison got it.
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supported by 16 fans who also own “Far Away”
A very clever songwriter and an album that bears many, many repeat listens. Worth the price for the Little Feat reference (in Tehachapi) alone, but it's her way with an image that sticks longest. "You left the building in a flurry / Had your boots on in the house."
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supported by 15 fans who also own “Far Away”
Once again women are the driving force in country music. Very creative, melodic stuff.
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The latest from acclaimed country musician Bonnie Montgomery delivers the raw, rustic sound for which she’s known.
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I Saw the Arkansas
by Dylan Earl
Dylan Earl's blend of honky tonk, classic country music, and Southern rock has a poetic, tender heart.
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Margo Price's latest album tackles loss, failure, and freedom over lush pop, psychedelic country, and rock arrangements.
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Sidelong
by Sarah Shook & the Disarmers
supported by 15 fans who also own “Far Away”
So good I've bought it here, on Amazon, and on CD. Saw them live once, when a guitarist was unavailable to tour so they snatched up a member of the Charles Talham band to cover...and they let him jam out, having fully incorporated his funk jazz esque style into their rebel country music. Years into touring, well into a back breaking tour at the truckstops-and-shared-motel-rooms level, and they were still THERE in the moment. Real musicians playing to crowds far smaller than they deserve.
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